![]() ![]() Changing the width of any configuration requires the addition or removal of the correct width cross beams. Optional Producer desk (same width as the 16 fader ‘bucket’)Īll D Control systems shipped with integral legs, once over 32 faders in width a middle support leg was required. Optional integrated Panning / joystick module ![]() The keyboard and trackball trays were removable to cater for left handed and right handed use, or for the addition of a mouse as a replacement for the included trackball.Įxpandable in 16 fader modules to 64 faders. ![]() The D Control channel strip had 6 rotary encoders and the centre section had dedicated rotary controllers for EQ and Dynamics. The basic configuration for D Control was 16 faders and a centre section, with the option of having the fader ‘buckets’ positioned on either side of the master module. Overall, the ICON series sold in the region of 6000 units in the 9-years prior to their Final Sale Date at the end of 2013. Whilst used across professional music, TV and Film post production Icons found their home in television post production, becoming an industry standard the world over. The change in control surface and LED colour layouts having been prompted by feedback on the legibility of text on the lexan, when being read in the low light environment of a studio.ĭ Control and it’s smaller sibling D Command formed, collectively, the Avid ICON series of control surfaces. 6 on D Control, alongside reduced centre section, forgoing the same level of dedicated control to fit a lower price point and much reduced footprint.Īt launch the Avid ICON series shipped in light blue, this changed late in 2007 with the introduction of the espresso black ‘ES’ model. The smaller, fixed format, Control 24 and modular Pro Control helped pave the way for the acceptance and success of a large format ‘console style’ control surface.ĭ Command followed a year behind D Control, having only two rotary encoders per channel vs. Up until the release of D-Control, this development had culminated in the Control 24 and Pro Control, both introduced at a time when the Pro Tools Mix hardware system was growing into the industry standard DAW for music, TV and film post production. Digidesign, at that time an independent audio division of Avid, had been developing hardware controllers for their DAW software for a number of years, their first control surface dating back to the 1994 release of R1, an optional mixing surface addition to the Session 8 system, pictured below. Introduced in April of 2004 at the AES exhibition in Berlin, the Avid ICON D-Control represented a coming-of-age for control surface technology in the professional audio industry. Includes XMON remote, rack-mounted analog I/O audio monitor and communications system capable of monitoring up to 5.Avid D-Control at technicolor Avid Icon Introduction and history.Dedicated, center section control panels for EQ and dynamics plug-in editing.Comprehensive monitor/communications control section.Two bar-graph meters per channel and eight Master section bar-graph meters.17 illuminated pushbuttons per channel strip facilitate fast selection of channel modes and attributes.Each rotary encoder includes a 6-character alphanumeric LCD display for function parameters in addition to one display for the channel scribble strip. Two touch-sensitive, multi-purpose rotary encoders per channel strip with single-color LED rings that display encoder position or metering.High-quality, touch-sensitive motorized faders.Ergonomic worksurface expandable to 8 physical faders/channel strips.Updated text graphics and switch colours providing better visibility in low-light environments.Shipping prices may vary so please contact us for a shipping quote. The unit is in good working condition with some signs of use. With non-destructive AFL/PFL solo functionality and brand-new automation capabilities, creating great mixes with Pro Tools and ICON is more intuitive, practical, and faster than ever. In addition to supporting mixes up to 24-bit/192kHz in up to 5.1 surround, ICON D-Command ES features direct integration with industry-standard Pro Tools recording and editing software. D-Command ES combines all the benefits of a console with the power and flexibility of the industry's leading high-definition digital audio workstation. With its compact size and powerful feature set - including dedicated EQ and dynamics editing sections, custom fader modes, and touch-sensitive rotary controls - ICON D-Command ES is a natural fit for facilities that want ICON's unique mixing capabilities. ![]() The Avid D-Command 8 ES with X-Mon is a 8 fader control surface for Pro Tools. Avid D-Command 8 ES Fader Control Surface for Pro-tools with X-Mon - Used ![]()
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